I’m reading two books concurrently.
The first is Love Jihad and Other Fictions, by Sreenivasan Jain, Mariyam Alavi and Supriya Sharma, journalists with distinguished track records, who have come together to explore some of the tropes that animate hindutva.
The core of the book — the nut graf, in journalism parlance, is this bit from the introduction:
We realised early on, though, that investigating Hindutva conspiracy theories was like entering a hall of mirrors — how can you disprove a theory if you can’t pin it down? This haziness partly stems from the fact that while many endorse these theories, no one claims ownership over them. Moreoever, they are vaguely defined. For instance, the label of ‘love jihad’ can be applied to a seemingly infinite number of cases, making the task of fact-checking akin to a game of whack-a-mole — you manage to debunk one, and ten new ones show up. A new theory, or a sub-plot of an old theory, is born every day.
From Love Jihad and Other Fictions, published by Aleph
The other book I am reading is H-Pop: The Secretive World of Hindutva Pop Stars by Kunal Purohit, on how an entire industry has sprung up to infuse the tropes of Hindutva into the popular imagination, and to give it an insidious veneer of acceptability, through the medium of hate lyrics set to peppy beats.
Continue reading →